• Drum Set and Percussion Setups from Musical Theatre and More

The "Whoopie Case" - Paul Hansen

2019-07-05-wicked-tour-paul-hansen-89Paul Hansen's "Whoopie Case".

"One should always carry an emergency kit to every gig. You never know when you'll need a last minute shaker, duck call, slide whistle, kazoo, jaw harp…."

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The Little Mermaid - Regional - Rex Lycan

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Rex Lycan’s percussion setup for The Little Mermaid at the Howard Brubeck Theatre in San Marcos, California.

"There was quite a bit of Latin bongo playing in this show, as well as plenty of orchestral numbers."

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Beauty and the Beast - Regional - Luke Hubley

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Luke Hubley’s percussion setup for Beauty and the Beast at Theater Under The Stars in Houston Texas.

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Romeo & Bernadette - Off Broadway - Jon Berger

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Jon Berger’s setup for the 2020 Off-Broadway Premier of Romeo & Bernadette: A Musical Tale of Verona and Brooklyn at A.R.T./New York Theatres in New York City.

"The score combines small snippets of Medieval music, some Big Band Swing, 2-Beat, Classical, a bit of 60's Rock, and R&B."

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Austen's Pride - Regional - Dennis J. Arcano

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Dennis J Arcano's setup for Austen's Pride, a new musical of Pride and Prejudice at ACT in Ridgefield, Connecticut.

"This setup also included six foot pedals: two on the timpani, a kick drum pedal, a hi-hat pedal..."

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A Christmas Story - Tour - Laura Hamel

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Laura Hamel's percussion setup for the National Tour of A Christmas Story at the McCallum Theatre in Palm Desert, California.

"A new challenge presents itself with the many pedals I have to keep track of. Between the substantial amount of timpani tuning, 128 patch changes and riding a sustain pedal, you end up tap dancing your way through the show."

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Matilda - Regional - Alec Wilmart

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Alec Wilmart's setup for Matilda at the Village Theatre in Issaquah, Washington.

"One of the coolest things about this book is the role of the Bass Drum. I can’t stress enough how important having a concert bass drum is for this show. The lower, the better."

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Into The Woods - Regional - Rex Lycan

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Rex Lycan’s setup for Into The Woods at the Old Town Temecula Theater in Temecula, California.

"At the end of the second act and at the end of 'Maybe They're Magic' there are tons of quick switches between snare drum and bells/xylophone. In order to achieve these difficult changes…"

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Dear Evan Hansen - Tour - Ryan McCausland

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Ryan McCausland’s setup for the National Tour of Dear Evan Hansen at the Paramount Theatre in Seattle, Washington.

"Being a part of this production has been an absolute dream come true for me."

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Love Never Dies - Tour - Aaron Nix

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Aaron Nix's setup for the 2018 National Tour of Love Never Dies at the Paramount Theatre in Seattle, Washington.

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The Hunchback of Notre Dame - Regional - Paul Hansen

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Paul Hansen's setup for the The Hunchback of Notre Dame at the 5th Avenue Theatre in Seattle, Washington.

"The Tam Tam has the mounted 'throw ‘n’ go' mallet mount."

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The Light In The Piazza - Concert - Billy Miller

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Billy Miller's setup for the Lincoln Center Benefit Concert of The Light In The Piazza.

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Dirty Dancing - Tour - Ryan McCausland

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Ryan McCausland's percussion setup for the National Tour of Dirty Dancing at the Eisenhower Auditorium at Penn State in University Park, Pennsylvania.

"Because the orchestra is meant to play a role in the show, many of us were worked into certain scenes and have onstage appearances during certain numbers."

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Pippin - Regional - Will Marinelli

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Will Marinelli's percussion setup for the Hightstown High School's production of Pippin in Hightstown, New Jersey.

"Just prior to downbeat on our final show, the soundboard died."

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The Wizard of Oz - International - George English

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George English’s setup for The Wizard of Oz at the Crucible Theatre in Sheffield, England.

"As you’ll see from the photos, there’s a large amount of gear, some might say excessive..."

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Life After - International - Jamie Drake

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Jamie Drake's setup for the premiere of Life After at the Berkeley Street Theatre in Toronto, Canada.

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Chicago - International - Tim Sellars

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Tim Sellars' setup for Chicago at the Court Theatre in Christchurch, New Zealand.

"For the ‘clank’ sound I went with a car brake drum..."

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Seussical - Regional - Brandon Levesque

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Brandon Levesque’s percussion setup for Rhode Island College’s production of Seussical.

"For the crotale sound, I cut a timbale mallet down and screwed a finger cymbal to the top, using that as a mallet on the bells."

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Peter and the Starcatcher - Regional - Brad Wetmore


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Brad Wetmore's setup for South Bay Musical Theater's production of Peter and the Starcatcher.

"Between the Music Director/Piano player and myself, we covered just over 60 instruments."

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Peter and the Starcatcher - Off Broadway - Deane Prouty

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Deane Prouty's setup from the 2013-1014 Off-Broadway production of Peter and the Starcatcher at New World Stages in New York City.

“Well, all good things come to an end... or in this case we moved Off-Broadway!"

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Sweeney Todd - Regional - Sam Wisman

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Sam Wisman’s combined book setup for Sweeney Todd at Kansas City Repertory Theatre.

"I mount as much as possible from STRONG cymbal stands and stack cymbals to save space and allow easy one handed rolls."

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Miss Saigon - Broadway - Ray Marchica

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Ray Marchica's drum set setup for the 2017-2018 Broadway revival of Miss Saigon at the Broadway Theatre.

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Miss Saigon - Broadway - Chihiro Shibayama

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Chihiro Shibayama's percussion setup for the 2017-2018 Broadway revival of Miss Saigon at the Broadway Theatre.

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Aladdin - Tour - Joshua Mark Samuels

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Joshua Mark Samuels’ percussion setup for the North American tour of Aladdin at the Paramount Theatre in Seattle, Washington.

“I had to figure out ways to make the rig smaller without losing any instruments, even to the point of having to crawl under the xylophone in order to get in and out of the setup itself.”

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Ragtime - Regional - Paul Hansen

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Paul Hansen’s setup for Ragtime at the 5th Avenue Theatre in Seattle, Washington.

“Seen here are many of my usual stock effects…”

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Kid Victory - Regional - Greg Landes

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Greg Landes’ setup for John Kander’s Kid Victory at the Vineyard Theatre in New York City.

“Michael Starobin did his usual brilliant work with the orchestrations and the drum/percussion book and I always felt challenged musically and engaged throughout the show.”

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Between The Lines - Regional - Sam Wisman

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Sam Wisman’s setup for the world premiere and regional tryout of Between The Lines at the Kansas City Repertory Theatre in Kansas City, Missouri.

“The styles and sounds required range from classic Broadway to swing, vaudeville, orchestral, rock, and disco.”

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Hello Dolly - Broadway - Andy Blanco

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Andy Blanco’s percussion setup for the Broadway production of Hello Dolly at the Shubert Theatre.

“Other than a few sections with some very fast instrument switches, the book is straight ahead and a lot of fun to play.”

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In The Heights - Regional - Angel Williams

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Angel Williams’ percussion setup for In The Heights at the Judge Memorial High School in Salt Lake City, Utah.

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Dreamgirls - Regional - Alec Wilmart

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Alec Wilmart’s percussion setup for Dreamgirls at the Village Theater in Seattle, Washington.

“I listened to a lot of Jackie Wilson, James Brown, Temptations, Supremes, and Earth Wind and Fire to help prepare the different bongo and conga grooves.”

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Cats - Broadway - Dave Roth

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Dave Roth’s percussion setup for the 2016-2017 Broadway revival of Cats at the Neil Simon Theatre.

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Finding Neverland - Tour - Greg Germann

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Greg Germann’s combined book setup for the National tour of the Broadway show Finding Neverland at the Paramount Theatre in Seattle, Washington.

“The orchestra read was really fun because Elliott Kennedy, the composer and Simon Hale, the orchestrator, were open to letting me try out a few new things.”

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Pajama Game - Regional - Paul Hansen

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Paul Hansen’s percussion setup for Pajama Game at the 5th Avenue Theatre in Seattle, Washington.

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Urinetown - Regional - Chris Roberts

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Chris Roberts’ setup for Urinetown at Dartmouth College in Hanover, New Hampshire.

“…This was when I was told the pit was literally a pit (no stairs, or elevators) and the only access were two ladders (one on either side)”

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Fiddler On The Roof - Regional - Chris Roberts

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Chris Roberts’ setup for Fiddler On The Roof at the Plymouth State University in Plymouth, New Hampshire.

“I played around with my cymbal choices a bit but went with a 16" and 18" crash. There isn't very much ‘riding’ and I wanted the option to be able to have two crash sounds.”

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Pippin - Regional - Michael Dooley

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Michael Dooley’s percussion setup for Pippin at Heritage High School in Frisco, Texas. This is the 2006 MTI version.

“I had to pick and choose which instruments I could cover per number, using the criteria 1) ‘Can I do this and still sound good’ and 2) ‘What is the most important sound to have here’”.

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Evita - International - Craig Given

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Craig Given’s percussion setup for Showbiz Christchurch’s production of Evita at the Isaac Theatre Royal in Christchurch, New Zealand.

“I enjoyed being able to mix guaguanco and samba influenced conga rhythms in this tune, along with some nice opportunities for timbale fills and cascara patterns.”

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The Little Mermaid - Regional - Ethan Deppe


Ethan Deppe’s setup for The Little Mermaid at the Chicago Shakespeare Theatre in Chicago, Illinois.

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Little Shop of Horrors - Regional - Skyler Fortgang

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Skyler Fortgang’s percussion setup for Little Shop of Horrors at The Livingston Theater Company at Rutgers University in New Brunswick, New Jersey.

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Bring it On - Regional - Angel Williams

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Angel Williams’ percussion setup for Bring It On at the University of Utah, Musical Theater Department in Salt Lake City, Utah. Read/See more...

Ragtime - International - Craig Given

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Craig Given's combined book setup for Ragtime at the National Academy for Singing and Dramatic Art (3rd Year Students Production) in Christchurch, New Zealand.

“I decided to take the two books (drum set and percussion) and combine as much as possible into a single book.”

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Aladdin - London's West End - Shan Chana

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Shan Chana's percussion setup for Aladdin at the Prince of Wales Theatre in London's West End.Read/See more...

Alex Zarzalejo - Don Juan: The Musical

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Alex's combined setup for Don Juan: The Musical at the Teatro de la Luz Philips in Madrid, Spain. Read/See more...

The Producers - International - Lindsay Kaul

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Lindsay Kaul’s percussion setup for The Producers at The Players Theater in Port Macquarie in New South Wales, Australia.

“Due to a lack of players in a small theatre community in Regional NSW, Australia, I took up the parts of keyboard, harp, oboe and percussion.”

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Hairspray - International - Craig Given

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Craig Given's percussion setup for Hairspray at the Isaac Theatre Royal in Christchurch, New Zealand for Showbiz Christchurch.

"I made some special double sided mallets to deal with the fast changes between glock and timpani in 'I Can Hear the Bells'"

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Something Rotten - Broadway - Sean Ritenauer

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Sean Ritenauer's percussion setup for the 2015/2017 original Broadway production of Something Rotten at the St James Theatre.

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An American in Paris - Broadway - Andy Blanco

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Andy Blanco’s percussion setup for the Broadway production of An American in Paris at The Palace Theatre in New York City.

“An unexpected addition to a fairly standard set up of instruments is the set of tuned cowbells (almglocken).”

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Mary Poppins - International - Nick Apivor

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Nick Apivor's combined set up for Mary Poppins at the Western Canada Theatre in Kamloops, British Columbia, Canada.

"As I was the only percussionist I needed to cover both percussion 1 and 2 books."

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The King and I - Broadway - Dan Haskins

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Dan Haskins' percussion set up for Lincoln Center Theater’s production of The King and I, winner of the 2015 Tony Award for Best Musical Revival.

"This was the largest orchestra running on Broadway at 29 players, and also the largest cast at 51 actors/dancers. The drum-set and percussion parts were all played by one person."

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Finding Neverland - Broadway - Dave Roth

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Dave Roth’s percussion setup for the Broadway production of Finding Neverland at the Lunt-Fontanne Theatre.

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Fiddler On The Roof - Broadway - Kory Grossman

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Kory Grossman's combined book set up for the 2015-2016 Broadway revival of Fiddler on the Roof at the Broadway Theatre.

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Cinderella - Regional - Richard Hilms

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Richard Hilms' setup for Cinderella.Read/See more...

The Light in the Piazza - Broadway - Billy Miller

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Billy Miller's setup for the Broadway production of The Light in the Piazza at the Vivian Beaumont Theater at Lincoln Center.

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Smokey Joe's Cafe - Regional - Debbie Minnichelli

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Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.

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Newsies - Regional - Scott Elford

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Scott Elford's percussion setup for Newsies at the Fox Cities Performing Arts Center in Appleton, Wisconsin.

"My homemade glock/timp combos started out as Promark PST3's (Performer Series Maple Timpani Mallets) that I drilled out and inserted what was left of a broken pair of Promark DFP250's…"

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Parade - Regional - Sho Fujieda

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Sho Fujieda's setup for Parade at Fullerton College in Fullerton, California.

"Here's a fun technique I used that was shown to me by another pit percussionist. Instead of having a full set of crotales for the single crotale note, I hit the glockenspiel with a finger cymbal on the high E flat."

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Allegiance - Broadway - Joe Mowatt

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How to Succeed in Business Without Really Trying - Regional - Paul Hansen

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Paul Hansen's percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.

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Alfie Pugh - West Side Story

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Tarzan - Regional - Rob Guilford

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Rob Guilford's percussion setup for Tarzan at the White Plains Performing Arts Center in White Plains, New York.

"Space was very tight in the theater, so having the malletKAT for all of the mallet and timpani parts was a lifesaver."

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Patrick Lehosky - In The Heights

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Radio City Christmas Spectacular - Mario DeCiutiis, Dave Roth, Matt Beaumont

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Mario DeCiutiis, Dave Roth, and Matt Beaumont’s percussion setup for the 2014 Radio City Christmas Spectacular in New York City.

"Most of the percussion is played on the PanKATs. The white lettering is used to remind the players which pad triggers which sample."

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How the Grinch Stole Christmas - Madison Square Garden - Dave Roth

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Dave Roth's percussion setup for the 2014 Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas! in New York City.

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Kevin McNaughton - Beauty and the Beast

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How the Grinch Stole Christmas - Regional - Russ Nyberg

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Russ Nyberg's combined book setup for Dr Seuss' How the Grinch Stole Christmas! at the Grand Ole Opry in Nashville, Tennessee.

"There are so many moments where a suspended cymbal roll or timpani hit is snuck into the middle of a groove."

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Radio City Christmas Spectacular - Kyle Maxwell-Doherty, Joshua Mark Samuels

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Kyle Maxwell-Doherty and Joshua Mark Samuels' percussion setup for the 2015 Radio City Christmas Spectacular in New York City.

"Having the ability to perform the majority of the book on electronic percussion instruments (save the timpani) allows the rest of the band to spread out physically and save their ears in the pit. However, the main reason for the extensive use of electronic percussion is the control and flexibility it affords the section."

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Jamie Drake - Uncovered: The Music of Simon and Garfunkel

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Next to Normal - International - Tim Collins

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Tim Collins' setup for Next to Normal at Macquarie University in New South Wales, Australia.

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Lindsay Kaul - Anything Goes

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On the 20th Century - Broadway - Eric Borghi

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Eric's Borghi's setup for the 2015 Broadway revival of On the Twentieth Century at the American Airlines Theatre in New York City.
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Les Miserables - Tour - Eric Borghi

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Eric's Borghi's setup for the US and Canada touring production of Les Miserables.Read/See more...

Damien Bassman - Up Here

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Beauty and the Beast - Regional - Angel Williams

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Angel Williams’ percussion setup for the Herriman Arts Councils production of Beauty and the Beast in Herriman, Utah. Read/See more...

Thoroughly Modern Millie - Regional - Bill Klymus

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Bill Klymus' percussion setup for Thoroughly Modern Millie at the Granville Performing Arts Center in Garland, Texas.

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Crazy For you - Regional - Bill Klymus

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Bill Klymus' percussion setup for Crazy For You at the Granville Performing Arts Center in Garland, Texas.

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The Last Ship - Brodway - Trey Files

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Beauty and the Beast - Regional - Jaren Angud

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Mio - La Boheme

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Evita - Broadway, Buenos Aires Live - Dave Roth

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Live performance of Dave Roth playing the percussion book for Buenos Aires from the 2012-2013 Broadway Revival of Evita at the Marquis Theatre.

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Mary Poppins - Regional - Alec Wilmart

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Alec Wilmart's percussion setup for the 2014-2015 Winter production of Mary Poppins at the Village Theatre in Everett, Washington.

"Step In Time' is a real challenge, with some quick switches between Xylophone and Timpani, and if I had to do it all over again, I would have put the Bass Drum on the other side of the Timpani to facilitate that."

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Tarzan - Regional - Angel Williams

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Angel Williams’ combined book setup for Tarzan at the Kensington Theatre Company in South Jordan, Utah.

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Side Show - Broadway, Cast Album - Billy Miller

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Billy Miller's percussion setup for the cast album session at Avatar Studios, New York City, for the 2014/2015 Broadway Revival of Side Show.

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Big Fish - Session - Billy Miller

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Billy Miller's setup for the cast recording of the Broadway production of Big Fish at MSR Studios.Read/See more...

Wicked - Broadway - Andy Jones

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Andy Jones' percussion setup from the currently running Broadway production of Wicked at the Gershwin Theatre.

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Aladdin - Broadway - Mike Englander

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Mike Englander’s setup for the Broadway production of Aladdin at the New Amsterdam Theatre in New York City.Read/See more...

Wicked - Regional - Alex Stopa

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Alex Stopa's percussion setup for Wicked at The Smith Center in Las Vegas, Nevada.Read/See more...

Mamma Mia - Broadway - David Nyberg

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David Nyberg's percussion setup for the Broadway production of Mamma Mia at the Broadhurst Theatre in New York City.

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Side Show - Broadway - Billy Miller

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Billy Miller's percussion setup for the 2014/2015 Broadway Revival of Side Show at the St. James Theatre in New York City.

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On The Town - Broadway - Charlie Descarfino

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Charlie Descarfino's percussion setup for the Broadway production of On The Town at the Lyric Theatre in New York City.

"A first here on Broadway for me, is the use of a 23" timpani…"

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Peter Pan Live - TV - Bill Hayes

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“For Peter Pan Live!, we had terrific new orchestrations (for a 36 piece orchestra) from Doug Besterman and Danny Troob…"


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Bill Hayes' percussion setup for the 2014 recording session of NBC’s Peter Pan Live at Avatar Studios in New York City.

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Pippin - Regional - Brian Kilgore

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Brian Kilgore's setup for Pippin at the Hollywood Pantages Theatre in Hollywood, California.

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Dirty Dancing - Tour - Miles Lassi

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Miles Lassi's percussion setup for the National Tour of Dirty Dancing at the Saenger Theatre in New Orleans, Lousiana.Read/See more...

Jon Berger - Tim and Scrooge

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Matilda - Broadway - Howard Joines

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Howard Joines’ setup from the 2013-2017 Broadway production of Matilda at the Shubert Theater in New York City. Read/See more...

Peter and the Starcatcher - Broadway - Deane Prouty

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Deane Prouty's setup for the 2012-2013 Broadway production of Peter and the Starcatcher at the Brooks Atkinson Theatre.

“95% of what I am doing is foley work - sound effects timed with action on the stage.”

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Cinderella - Broadway - Bill Hayes

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Bill Hayes' percussion setup for the Broadway production of Cinderella at the Broadway Theatre in New York City.

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A Chorus Line - Regional - Paul Hansen

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Paul Hansen's percussion setup for A Chorus Line at The 5th Avenue Theatre in Seattle, Washington.

"The one thing I also point out to students tackling this show for the first time is…"

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Joe Mowatt - Vanities

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Matthew Dudek - The Life

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Drew Lang - Les Miserables

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How to Succeed in Business Without Really Trying - Regional - Will Marinelli

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Will Marinelli's percussion setup for How to Succeed in Business Without Really Trying at Ithaca College in Ithaca, New YorkRead/See more...

Dan Haskins - Broadway 4D

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Michael McNicholas - Joseph And The Amazing Technicolor Dreamcoat

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Ryan McCausland - A Chorus Line

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David Thalmann - Oliver

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Michael McNicholas - Miss Saigon

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Ryan McCausland - Blue Motion

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Most Happy Fella - Regional - Erik Charlston

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Erik Charlston's setup from the Encores! production of Most Happy Fella at City Center in New York City.

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Dan Haskins - Michelle DellaFave

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If/Then - Broadway - Damien Bassman

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Don Sanderson & Matt Ohrberg - Big Fish

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Brad Wetmore - Sweeney Todd

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David Thalmann - Joseph and the Amazing Technicolor Dreamcoat

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David Thalmann’s setup from Joseph and the Amazing Technicolor Dreamcoat at the Murray Arts Guild - Murray Park Amphitheater in Murray, Utah.Read/See more...

David Manuel - The Heritage Orchestra

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Funny Girl - Regional - Alec Wilmart

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Alec Wilmart's combined book setup for Funny Girl at the Village Theatre in Issaquah, Washington.

"Combining the two parts on this show presented some interesting challenges"

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David Miller - Tarzan

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Greg Landes - Synchronicity Duo Solo Recital/Bartok Sonata Project

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Motown The Musical - Broadway - Gary Seligson

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Motown The Musical - Broadway - Roger Squitero

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Roger Squitero's hand drum setup for the Broadway production of Motown The Musical.Read/See more...

Jason Degenhardt - Mary Poppins

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David Thalmann - Thoroughly Modern Millie

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Jase George - The Phantom Of The Opera

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Craig McNutt - Boston Ballet

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Jamie Drake - John And Jen

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Nick Bonaccio - Little Threepenny Music

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The Bridges Of Madison County - Broadway - Benny Koonyevsky

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Vanities - Regional - Dale Baker

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Dale Baker's setup for a production of Vanities at the Theatre Raleigh in Raleigh, North Carolina.Read/See more...

Jim Reif - The Tutor

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Alex Sikorski - Les Miserables

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Ryan McCausland - Carousel

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Mark Howard - The Drowsy Chaperone

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Dave Holland - Solo Percussion Setup

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David Vincola - West Side Story

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Michael Blancaflor - Les Miserables

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Tony Thackery - Shrek The Musical

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Paul Keesling - Beaches

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Mark Carson - A Funny Thing Happened on the Way to the Forum

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Peter and the Starcatcher - Tour - Jeremy Lowe

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Jeremy Lowe’s setup for the National Tour of Peter and the Starcatcher.

"Some of the more interesting instruments in my set-up include a cuica for gorilla sounds…"

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Dave Roth - A Christmas Story

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Big Fish - Broadway - Billy Miller

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Billy Miller's percussion setup for the Broadway production of Big Fish at the Neil Simon Theatre.Read/See more...

Josh Goldman - Pacific Overtures

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Mio - Die Fledermaus

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David Edricks - LMNOP

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Andrew Pongracz - Sweeney Todd

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The Landing - Off Broadway - Greg Landes

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Greg Landes’ setup for The Landing at the Vineyard Theatre in New York City.

“…as the music slowly dribbled in I could see this was going to be a very challenging percussion book.”

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Dennis J Arcano - Video Games Live

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Jay Mack - Little Miss Sunshine

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The Witches of Eastwick - International - Nick Anderson

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Nick Anderson's setup for The Witches Of Eastwick at the Derby Theatre in Derby, United Kingdom.Read/See more...

James Pingenot - Iron Curtain

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How the Grinch Stole Christmas - Cast Album - Dave Roth

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Dave Roth's percussion setup for the cast album of Dr Seuss' How the Grinch Stole Christmas! at the Manhattan Center Grand Ballroom in New York City.

"It was a very unique experience in that the entire 14 piece band was in the same room with no baffling."

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Peter Hayward - The Phantom of the Opera

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Pete Korpela - Josh Groban

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Paul Hansen - Hairspray

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Brad Wetmore - Ohlone Wind Orchestra

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Pippin - Broadway - Sean Ritenauer

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David Manuel - Sweeney Todd

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Les Miserables - Regional - Guy Gauthreaux

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Guy Gauthreaux's setup for Les Miserables at the Theatre Baton Rouge in Baton Rogue, Louisiana.

"The 70‘s Mercedes Benz hubcap is used for the ‘copper pot’ and ‘garbage can lid’ as it produces many various sounds and definitely ‘elevates’ the look and feel of the setup"

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Jason Degenhardt - Les Miserables

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Billy Miller - The Cradle Will Rock

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Charlie Descarfino - Far From Heaven

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Spencer Goad - The Fantasticks

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Brad Wetmore & Dori Shimer - Funny Girl

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David Lotfi - Next To Normal

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Billy Miller - Lyrics and Lyricists

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Cats - Regional - Brandon Miller

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Brandon Miller's combined book for Cats at the Dutch Apple Dinner Theater in Lancaster, Pennsylvania.

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The Pit Stop Players - Greg Landes

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Greg Landes’ setup for the Pit Stop Players’ concert at Symphony Space in New York City. Read/See more...

Jason Degenhardt - Next To Normal

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James Pingenot - Marie Christine

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Eric Wagner - Fiddler On The Roof

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Drew Lang - Anything Goes

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Drew Lang - Camelot

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Mike Deutsch - Sweet Charity

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Drew Lang - Fiddler On The Roof

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Pete DeSalvo - White Christmas The Musical

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Nick Coulter - The Wizard Of Oz

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Dennis J. Arcano - Debbie Gravitte All-Star Band

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Scandalous - Broadway - Billy Miller

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Annie - Broadway - Joe Nero

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Joe Nero’s Percusion setup from the Broadway revival of Annie at the Palace Theatre.Read/See more...

Nice Work If You Can Get It - Broadway - Andy Blanco

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Andy Blanco's percussion setup for the 2012/2013 Broadway Revival of Nice Work If You Can Get It at the Imperial Theatre.

"It worked out well to have the vibraphone and xylophone in this position because there is a lot of back and forth between the two."

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Dennis J. Arcano - Ridgefield Symphony

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Chaplin - Broadway - Shannon Ford

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Shannon Ford's setup for the Broadway production of Chaplin The Musical.

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Assassins - Regional - Patrick Morrow

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Patrick Morrow's setup from The Milwaukee Rep production of Assassins.

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Evita - Broadway - Dave Roth

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Dave Roth's percussion setup for the 2012-2013 Broadway Revival of Evita at the Marquis Theatre.

"I was very fortunate to be given a lot of leeway in creating my own part for this tune and particularly my own timbale solo."

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Russ Nyberg - Chicago

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Ross Hamilton - Honk! The Musical

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Joe Mowatt - Once On This Island

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Billy Miller - Gentlemen Prefer Blondes

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The Addams Family - Broadway - Billy Miller

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Billy Miller’s percussion setup for the Broadway Production of The Addams Family at the Lunt-Fontanne Theatre.

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Fiddler On The Roof - Broadway - Billy Miller

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Billy Miller’s setup for the 2004-2006 Broadway revival of Fiddler On The Roof.

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4/4/20